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Staging
the American Family: The
evolution of the mythology of the American family in the
theater will be explored in February in a series of events sponsored
by Theater Emory and the Emory Center for Myth and Ritual in American
Life (MARIAL). A
production of Ah, Wilderness! the 1910 classic by Eugene ONeill,
launches the investigation into how the American family has been portrayed
on stage throughout the 20th century. The play, directed by John Ammerman,
opens Feb. 15 and runs through March 2 at the Mary Gray Munroe Theater
at Emory. In
conjunction with Ah, Wilderness!, Theater Emory and the MARIAL
Center will co-sponsor a four-day program from Feb. 24-27 called Staging
the American Family: A Symposium on the Evolution of the Idea of Family
in 20th Century Drama. This event combines scholarly discussion
and theater, and will include the performance of scenes from nine additional
plays representing the evolving idea of the American family in
each decade in the 20th century. Guest speakers will discuss myths and
images of the American family in theater and other cultural domains.
The readings and lectures are sponsored by the MARIAL Center, which
is A Sloan Center on Working Families, funded by the New York-based
Alfred P. Sloan Foundation. Theater
Emory and the MARIAL Center decided to collaborate because of a shared
interest in exploring myths and realities of the American family. Vincent
Murphy, Theater Emory artistic producing director, said the concept
of the Family Project began in the mid 1990s as faculty
and artists pondered the coming millennium. Inspired by our 1995
world premiere of Steve Murrays Mileage, which delicately
dissected American family life in a post-AIDS environment, we decided
to investigate how playwrights had viewed the family throughout the
20th century, Murphy said. Murphy
contacted several leading playwrights, including Tony Kushner and David
Henry Hwang, for suggestions of plays from each decade where the life
of the family was vital. He also consulted scholar/artists Michael Evenden,
Yvonne Singh and Walter Bilderback. Our
choices will only sample the thousands of plays devoted to the American
family, said Murphy, an assistant professor of theater. Rather
than focus on one class, race, religion, region or single notion of
a nuclear family, we searched for a play and then a scene that best
represented the values and concerns of the decade. He
added that the selections provide a multifaceted view of the family
as it evolves, not one family album or portrait. The result is
a cubist painting revealing several points of view, he said. Bradd
Shore, director of the MARIAL Center, said working with Murphy provided
an opportunity to explore one of the arenas of mythmaking about
the American family the theater. One
way that myths surface and perpetuate is through public representations
we get of ourselves as families, said Shore, an anthropology professor.
We have a lot of machinery in modern life that pumps out mythic
images of family, including literature, television, film, and
advertising, he said. The theater is a good place to see one of
the basic mythologies of American family, but I wanted to broaden our
vision. Shore
said the guest speakers, including playwright David Henry Hwang, Princeton
scholar Michael Goldman, advertising visionary Joey Reiman, and Rutgers
historian John Gillis will help explore the familys appearance
on stage and beyond. Gillis
is a noted historian of the family who has written several books on
family history, the most recent of which is A World of Their Own
Making: Myth, Ritual and the Quest for Family Values. Gillis argues
that we all live in two families. One is the family that we interact
with every day. The other is the idealized, mythic model that our culture
provides to us. Both have a history. In
his keynote lecture Our Imagined Families: The Myths and Rituals
We Live By, Professor Gillis will talk about where our conception
of the family comes from, Shore said. Hell set the
stage, quite literally, by stepping back and showing us the historical
origins of the modern idea of family. Goldman,
professor emeritus of English at Princeton University, offers a critics
context to the 10 scenes of family life that will be presented during
the conference. One of the most distinguished voices in American dramatic
criticism, Goldmans work has been nominated for the National Book
Award. He has twice received the prestigious George Jean Nathan Award
for Dramatic Criticism. Reiman,
founder and CEO of BrightHouse, an ideation corporation,
was for years one of Americas most distinguished and creative
advertising executives, having won more than 500 creative awards in
national and international competitions, including the Cannes Film Festival.
He is an expert on creativity, thinking and new ideas. The author of
several books, including Thinking for a Living: Creating Ideas That
Revitalize Your Business, Career & Life, he also is adjunct
professor at the Goizueta Business School and a senior research fellow
in the Department of Psychiatry at Emory. Hwang
was 30 when he became the first Asian-American playwright to win a Tony
award in 1988. He received it for his gender-bending Broadway smash
M. Butterfly. He has also written screenplays for such A-list
directors as Martin Scorsese and Sydney Pollack. He will participate
in a panel discussion with Gillis and Goldman, moderated by Michael
Evenden, associate professor and chair of Emorys department of
Theater Studies. Shore
said the purpose of the panel is to broaden the discussion beyond the
theater. In modern life we dont have just a single myth
of family. We have a very diverse media that produce mythic images of
family. One is high art, such as literature, which theater is part of.
The theater has been central in giving us the pictures of family. Thats
one arena. But how do these theatrical myths compare with popular culture,
television and advertising? These are the other arenas of myth production,
Shore said. The
MARIAL Center is one of six Sloan Centers on Working Families, supported
by the Alfred P. Sloan Foundation's Program on Dual-Career Working Middle
Class Families. The Emory Center focuses its research on the functions
and significance of ritual and myth in dual wage-earner, middle-class
families in the American South, with the aim of understanding how family
cultures are produced and reproduced under conditions of modern working
life. The Center has four basic purposes: to promote scholarly studies of myth and ritual among working families in the Southeastern United States; to train the next generation of scholars to focus attention on American middle-class families; to publicize findings through scholarly channels and more broadly through the media; and to find ways to use the insights gained from research to encourage and foster positive social change. For more information, please go to www.emory.edu/COLLEGE/MARIAL/index.html Theater
Emory is the producing organization of Emory University and is affiliated
with the Department of Theater Studies. It is a constituent member of
the Theater Communications Group, Inc., the national association of
nonprofit professional theaters, and a member of the Atlanta Coalition
of Performing Arts. It operates under a season agreement with Actors
Equity Association, the union of professional actors and stage managers
in the United States. The
symposium, Staging the American Family, will comprise the following
events: Feb.
15 through March 2 With
this 1910 classic, Theater Emory launches an investigation into how
American family life has been portrayed on the stage throughout the
twentieth century. ONeills warm and insightful coming-of-age
comedy and a series of readings of scenes from each decade are scheduled
as Theater Emory collaborates with Emorys MARIAL (Myth and Ritual
in American Life) Center. Dobbs
University Center (DUC) Charges Sun.,
Feb. 24: Mon.,
Feb. 25: Ah,
Wilderness!
By Eugene ONeill Tues.,
Feb. 26 Wed.,
Feb. 27 < Back to MARIAL Calendar of Events
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